The Nashville Film Festival takes a closer look at the film “Trailer Park of Terror”. Featuring interviews with Trace Adkins, Steven Goldmann, Matt King and more!

Music Showcase featuring Josh Turner at the legendary Bluebird Cafe

Helen Hood Scheer, Chris Emerson and Alyssa Mendlein talk with NaFF TV about their documentary Jump!

Director Craig Brewer attends the 2009 Nashville Film Festival and talks with NaFF TV about his new project $5 Cover.

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Mai Iskander and Tiffany Schauer talk with NaFF TV about their film Garbage Dreams

Garbage Dreams follows three teenage boys born into the trash trade and growing up in the world’s largest garbage village, on the outskirts of Cairo. It is the home to 60,000 Zaballeen, Arabic for “garbage people.” Far ahead of any modern “Green” initiatives, the Zaballeen survive by recycling 80 percent of the garbage they collect. When their community is suddenly faced with the globalization of its trade, each of the teenage boys is forced to make choices that will impact his future and the survival of his community. Garbage Dreams is nominated for the Al Gore Reel Current Award and received the Media that Matters Sustainability Award.

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The Remains appeared on Ed Sullivan, opened for the Beatles, and then broke up just on the brink of fame. America’s Lost Band is a documentary of The Remains’ return to Los Angeles for the first time in 40 years - since opening for the Beatles - a film that follows a group of 60-year-old musicians back together pursuing their passion. It’s the story of what happens when a band reaches the cusp of rock greatness, but doesn’t make it over the final hurdle ? and what happens when they put the past aside to renew the pursuit for greatness.

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Robert M.Knight
Tyler Bryant

Moments before his death, Stevie Ray Vaughn talked to Robert M. Knight, legendary rock photographer, one last time. ‘If anything ever happens to me,’ he said, ‘you’ll know me when you hear me.’ In the wake of tragedy, Knight would remember those haunting words, as they fueled his unyielding passion to find the next great guitarist. Smart, hip, and funny, Rock Prophecies is a backstage pass into the eccentric world of rock ‘n roll from the vantage point of an obsessive photographer. Barely 18, Robert M. Knight stalked, captured and befriended Jimi Hendrix and Led Zeppelin well before they become iconic. Years later, he snapped the controversial last photograph of Stevie Ray Vaughan. During photo assignments, mysteries about the creative process are explored as Knight revisits his life long guitar heroes. In the end, Knight finds and mentors a new guitar prodigy, Tyler Bryan, that unravels the meaning behind his final and foreshadowing

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Sick Puppies

Moments before his death, Stevie Ray Vaughn talked to Robert M. Knight, legendary rock photographer, one last time. ‘If anything ever happens to me,’ he said, ‘you’ll know me when you hear me.’ In the wake of tragedy, Knight would remember those haunting words, as they fueled his unyielding passion to find the next great guitarist. Smart, hip, and funny, Rock Prophecies is a backstage pass into the eccentric world of rock ‘n roll from the vantage point of an obsessive photographer. Barely 18, Robert M. Knight stalked, captured and befriended Jimi Hendrix and Led Zeppelin well before they become iconic. Years later, he snapped the controversial last photograph of Stevie Ray Vaughan. During photo assignments, mysteries about the creative process are explored as Knight revisits his life long guitar heroes. In the end, Knight finds and mentors a new guitar prodigy, Tyler Bryan, that unravels the meaning behind his final and foreshadowing

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Host:
Meredith Weiss
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Produced by:
Christopher Massey
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Ben Brantley & Co.
www.BenBrantleyCo.net

Make-Up by:
Lisa Proctor
www.lisaproctor.com

Marc Webb

Marc Webb’s debut feature is a classic tale of unrequited love. But it’s so much more. Helped along by a zippy soundtrack and thoroughly engaging lead performances by Joseph Gordon-Levitt and Zooey Deschanel, 500 Days of Summer manages to combine elements of Tarantino-esque post-modernism and Shakespearean romantic farce ? creating a film that should influence romantic comedies for this generation the way When Harry Met Sally did for the previous one. Tom is a handsome but awkward greeting card copywriter who falls head over heels for Summer ? who’s just not as committed to the whole concept as Tom is. Love, sex, dating, infatuation, anxiety?it’s the stuff of the best romantic comedies ever made?and it’s all handled with a freshness not seen in the genre for some time by a bright new talent destined for great things.

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